Francesco Dellamorte runs the cemetery in a town. He is such a private person, that when the dead start to rise, he chooses to keep it between him and his mentally ill companion, then to tell the world and get help.
This just so happens to be one of my favorite zombie films ever created. While still a zombie film, it has it's own branch of originality in it's story telling. This is not a zombie outbreak, but a zombie containment scenario. As a horror-comedy, it has the feel of a classic zombie film, with the environment beautifully constructed and plenty of gratuitous violence and nudity, while at the same time it has the comedy blended into the dialogue and scenarios so perfectly it never feels forced into the movie. The dark tone of the humor makes sure that it never needs to reconstruct it's tense nature whenever they want to throw some more zombies into the mix.
The cinematography, while obviously inspired by the countless other successful zombie films before it, makes a mark of it's own with "natural" shake in many of the walking shots and several sweeping shots and "uniquely" placed still shots. I say "unique" because while obviously all of these ideas have been done before (for the most part), it is mastering the timing of when to use all the shots. This applies to all of my reviews. I have to spell it out now because some people felt confused, as if all I wanted in my movies were ridiculous camera moves and anything else was simply too boring.
The small complaint I have with this film is simply that for some reason or another, Francesco feels somewhat absent. I can't help but feel slightly disconnected from his motivations and actions. You do love the character, but it feels as if we are missing a small dimension to make him a complete person.
Notes: Zombie Love, Zombie Children, and Zombie Boobs